Select mentions of Moons, Castles, Trees, AI Chronotopes
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Moons, Castles, Trees | The Wrong Biennale | AI Chronotopes
Flanders Arts Institute: Moons, Castles, Trees 2026
Moons, Castles, Trees – Open Call – Digital Arts Blog
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Rhizome: Moons, Castles, Trees | AI Chronotopes | A part of The Wrong Biennale ’25-’26
Open Art Call | The Art of Artificial Intelligence | Copenhagen (PR Newswire)
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Moons, Castles, Trees AI Chronotopes | The Wrong Biennale 2025–2026
The title of the exhibitions derives from Nick Cave. Three images from Cinnamon Horses, a strawberry moon, castle ruins, turpentine trees, made a deep impression on curator Kasper Bergholt in 2024, leading to a textual analysis that eventually became this exhibition.
The framework is Bakhtin’s chronotope, the idea that in art, time “takes on flesh, becomes artistically visible.” Not a dry theoretical premise but a lived one: that every image carries time inside it, that nothing passes without leaving a trace.
Eight artists were selected from over 800 submissions.
This is part of The Wrong Biennale, described by the New York Times as “the digital world’s answer to Venice,” a global event that has, since 2013, shown the work of over 10,000 artists across more than 800 exhibitions worldwide.
As Ukhtomsky put it, and Bergholt chose to open with: “Nothing passes without leaving a trace. All foregone will be accounted for.”